The Broadway version aims to preserve this dynamic, underscored by the repeated pleas from the female tellers for someone to pacify an agitated Sal. Yet this iteration of Sal never conjures the same clammy sense of peril. Looming in shadows, watching the tellers chat over pastries, he ought to be intimidating. But a crucial element is absent. Maybe it’s the added backstory meant to humanize him, or the brightly lit, literal bank set that lacks the oppressive heat and unease of Lumet’s direction. But Moss-Bachrach also appears rigid and uninspired on stage. Compounding the issue—or reducing the tension—Sonny has been stripped of his edge.
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这一进展早有预兆。今年二月，该公司的机器人出租车就曾被目击在纳什维尔街头进行无安全员的道路测试，但当时尚未向公众开放服务。
套装还附赠底座与连接线，方便连接电视显示；配备USB-C充电适配器，让您在移动途中也能随时为设备充电。